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#Name mangler user presets Patch#
MIDI In and Out sockets are also fitted for patch dumping and saving, for MIDI parameter control, and for updating the system software held in flash memory, which is done via SysEx transfer. The analogue input can be controlled from the front panel via a regular level control, as may the output level (the control affects both the analogue and digital outputs), though the only way to vary the digital input gain is to use the on-board pre-effect EQ system and then to use the EQ gain as a level trim control. Sample rates of 48kHz and 44.1kHz are supported, while the analogue I/O may be switched between -10dBV and +4dBu sensitivities via a rear-panel slide switch. The input is strictly one format at a time, selected via the Master menu. Both internal and external digital sync are supported and both the analogue and digital outputs may be used at the same time.
#Name mangler user presets plus#
The physical inputs and outputs of the machines comprise stereo ins and outs on balanced jacks plus digital S/PDIF inputs and outputs. For live use, a TRS pedal jack is fitted to the rear panel to allow either one or two footswitches to be connected for using the tap tempo function and for bypassing the unit. This can be switched to a more advanced mode where all the available parameters become accessible, but the same 16 most useful parameters always appear at the top of the list.Ī global setup option allows presets to load as soon as they are selected, or to be cued in advance, in which case the previous effect remains active after a new effect has been selected until the Load button is pressed. The depth of editing is impressive, but to prevent the less experienced user from being overwhelmed by alien functions, the edit system can be switched between two modes, the simplest of which allows access only to a maximum of 16 of the most useful parameters of each preset. Not that you don’t get presets - there are 192 factory presets per machine and any of the presets may be edited and saved in one of 64 user patch locations.
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A cursory glance at the control panel might suggest that you’re looking at a presets-only machine, but nothing could be further from the truth, as the level of available editing is pretty deep. The processors are presented in a no-frills 1U rack case, with power coming from an external adaptor. Hardware & Interfaceīoth units use exactly the same hardware engine and user interface, so the hardware description part of this review applies equally to the Rumour and the Mangler. Additionally, both units feature a pre-effect, three-band EQ section which is set globally rather than on a per-patch basis.
#Name mangler user presets full#
These are much more affordable than the KSP8 and, rather than create one box that attempts to do everything, Rumour is packed full of studio reverb treatments, while Mangler focuses more on special effects (including some reverb capability, though). While combining good value with performance, the KSP8 is still quite expensive by project studio standards, especially where multi-channel operation isn’t required, so Kurzweil have adapted a number of their best stereo algorithms for use in two new 1U stereo rackmount processors, the Rumour and the Mangler. Their multi-channel KSP8, reviewed back in May of this year, defines the top of their current effects range and offers both stereo and surround processing. Kurzweil made their name producing some of the finest sample-based keyboard synths and electronic pianos around, but they’ve since diversified into effects, which is not surprising when you consider they had already developed the requisite technologies for use within their keyboard instruments. These two stereo multi-effects boxes from Kurzweil bring the powerful processing of their flagship KSP8 more easily within reach of the home studio owner.